AYE OLOMO KAN

AYE OLOMO KAN
REVIEWER: SOTILOYE EBUNOLUWA ANIKE
MATRICULATION NUMBER: 08BE07352
PRODUCER: NEECEE PRODUCTIONS
DIRECTOR: MUYIDEEN S. AYINDE
WRITER: FUNKE AKINDELE
DURATION: 2 HOURS 24 SECONDS
RELEASE DATE: 2009
GENRE: MELODRAMA
PLOT:
A young lady,Demilade (Funke Akindele), a university undergraduate brought up by a single mum, Mrs. Romola (Remi Oshodi). Demilade is not given good training and it affects her in her marital life. Married to a young banker, Biola (Richardo Agbor), who loves women who can cook and do the house chores. Her under wears had to be cleaned for her.
She starts learning how to cook with the help of the family’s cook, Sugar mummy (Ayo Mogaji). She doesn’t complete her learning course with the cook before she gets married to Biola.
After marriage becomes a full time housewife, she found out her own ways of doing the chores with the help of the house help. The cooking of her husband’s food is done by her closest friend Sefunmi (Sola Kosoko). Her friend comes to her marital home every day to prepare her food. She gets stranded when the food prepared for her by her friend before she embarked on a journey. Biola finds out and makes a plan to marry the house help who Demilade latter finds out was asked to play such role in the lives of the couple.
This incidence caused Demilade to look for a solution by hiring a cook to teach her how to prepare different kinds of food. And within two weeks she is able to cook well. She asks for forgiveness from her husband and they lived happily ever after.

THEME: Parents should teach their children how to be independent. Caution should be taken while bringing them up especially the females.
MAIN CASTS: Funke Akindele, Richardo Agbor, Remi Oshodi, Sola Kosoko
COUNTRY: Nigeria
LANGUAGE: Yoruba
CINEMATOGRAPHY
SHOTS: The film was started with an establishment shot. The extremely long shot, long shot, medium long shot, medium shot and medium close-up were used in the shooting of the film. The most dominant of them is the medium shots.
COSTUME: Everyday costume was used throughout the movie. The dressing of the characters was as in normal/real life.
ANGLES: Throughout the film the camera was on the mid angle.
TRANSITION: The transition used all through the film was the cut transition.
CAMERA MOVEMENT: Pan right and left was used to reveal certain things to us in the movie like Demilade’s room and the kitchen where sugar mummy teaching Demilade how to cook and when Sefunmi was preparing food. Zoom in and out was used to emphasize on certain events and persons.
CAMERA SPEED: The camera speed was Normal Motion where the film was shot at about 24 frames per second and it projects it in this same manner
REFLECTION: There is nothing as good as a wonderful home training. This is because charity begins at home.
FINALE: The film ended with Demilade learning how to cook well and continued her relationship with her husband.